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Posts Tagged art

Pretty!

This is now my favourite image. It’s been a while since I made something new, but I really liked this one. It’s so pretty that I decided to post it by itself. It’s kind of a cheat, though as I’ve used an Apophysis script to create it with just a few tweaks. It looks wonderful and with a lot of details with its original 4000 pixels size. Might be included in my Zazzle prints sometime.

Empty head fractal

Empty head

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Art, what is it? And who cares?

As I’ve been rendering some of my favourite images again to add to the Zazzle store, I started to remember the days when I was first invited to participate in art exhibitions (10 years ago?), and this idea of “what is art?” came back to my mind again after all these years.

When I was invited for my very first exhibition, I was asked to “define my art” so it could be added to my “resumé”. I found this to be a very difficult task (not only because it was the first time I had to do it) and tried to avoid this as much as I could, but eventually I had to write a short text trying to describe “my art”. 10 years later, I still can’t do it. Because it shouldn’t be defined. And I still think that my art is the same, its definition hasn’t and will not ever change over the years. Because there isn’t and shouldn’t be a definition or explanation for it.

For sure it would be easy for me and “cool” to write a text full of weird words and clichés, but I would pretty much be like everybody else in this “niche” (there goes a cool word for you all!) so to speak. And my art shouldn’t be like everybody else’s art, it should be “my art”, not a concept or a definition. If you sum it up to a few fancy words and tags, you end up making it look like the canned meat you buy at the supermarket, one can is like the other, same content, same taste, same price. My art is unique. And so is everybody else’s. Every artist is unique. Every art consummer (not a good word, sorry…) is unique.

Very often musicians and composers are asked to explain what a certain song is about, how was the composing process, what was the inspiration for that specific song, etc. And how many times are we surprised to know that a certain amazing song that was “the soundtrack of my life” or that “describes me perfectly” was made in a rush, with no serious intentions, or else that it had a very different meaning than we thought it had? I bet that it happens a lot. I remembered 2 stories about this, kind of unrelated to the subject of this post but not that much…:

Paul McCartney started sketching the ideas for the song “Yesterday”, but he couldn’t figure a name for it yet (neither the lyrics were done yet, I suppose). He just wrote on a piece of paper a random name so that he could remember he was writing a possible song and should continue working on that later. And the name he gave to that pre-song was “scrambled eggs” (I think it was close to breakfast time or something). What if the next day he thought it would be just a silly idea or something or couldn’t remember what it was and abandoned it? His masterpiece (well, it’s his most played song at least…) would have never existed.

The Rolling Stones were basically a cover band in their beginnings. Once they were asked to write a song… well… actually they were forced to do it. They were locked in a kitchen (so they say) and were told by their producer at the time to not come out of that place without a song (or songs) of their own. And… Satisfaction was born.

OK, back to the subject. These songs, if described as how they were created, may sound silly. But they are 2 classics. If they are “explained” (and the creation process is part of an explanation in my opinion), they lose a lot of their importance, if you consider that one was made and named after a breakfast, and the other was made purely because it was their job to do a song. The same happens to any form of art – when it’s “explained”, it might lose its meaning to the observer. He, the observer (or the consummer? Not a good word to use again I guess) is the only one that should – internally or externally – explain and define it, and tell what it means or if it means something to him to others or not if he wants to share his definition of that art (he knows what it means to him anyway, so who cares?).

To me, that is what is most important – that the art, in whatever form it is, be important to someone else, that it can be liked (or not…), be seen, be enjoyed, shared, talked about, that it can cause some impact on someone else in any way, good or bad. If you look at a painting or listen to a song and it means nothing to you, to you, that painting/song isn’t art.

After all, it seems I could finally define my art. Or at least define what it’s not. And it’s not a definition.

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Strange coincidence? I’m not sure what to say…

Someone recently asked me if I sell prints of my image, and while doing a search for new places to print the images, I was browsing the art.com “abstract” category. Then just after a few clicks I found this image (click the link as I can’t post the image here)…

… which immediately reminded me of this image from one of my galleries.

Yes, the “woman” is different, but at the same time it’s very similar… mine is sort of “inspired” accidentally by the Abaporu anyway so…

PS.: why is this post being hit by spammers like crazy? 20 a day. Get out.

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The mega formula project, image 1

There are a bunch of images already made. I’ll be posting them one at a time instead of inside galleries. This one is called “Bolla”. As usual, click on the image to see it larger.

Bolla

Bolla

 

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Mandalas Gallery 01

Sorry for the long time without any posts but this is not a daily job, is it? OK, enough rantings.

As I said in the previous post I tried the Mandala Project or something. I opened all my UPRs one by one (well not all yet) and applied a kaleidoscope transformation on each layer to create the mandala-like images. Some images work better than others, some images don’t work at all, some give birth to a lot of new images and so on.

For the creation process, I didn’t change any of the original image’s fractal parameters, I just applied the kaleidoscope on the layers and that was it. In very few cases, I did some extra zooming when I thought I could find something more interesting a little deeper, but this wasn’t the case with all images. Of course, lots of panning work was a must to find good images, but there are some images that are just the original image with the transformation without any panning, applied to the image with its original coordinates. Also, I made the “mandalas” in the same order as I made the original images, I started with my very first (saved) image, and went on from there. I’m not sure where I am at this point now (I have about 50 images already made), but I think I’ve tried at least a whole year of images or maybe half a year of UPRs. And this is… still 2002? I think so.

For me, it’s a bit easier to spot the original image that was transformed, but sometimes there aren’t much hints and the new image is a bit different, although it still can be recognizable maybe from its colour scheme. Some “mandalas” kept some parts (or visual characteristics) of the original images a bit intact, like mandelbrot shapes, etc. etc. and this was done on purpose sometimes.

This project is something I’m doing just for fun, while I don’t have enough new images to be added to new fractal galleries.

Here are the first gallery, with 15 images (I guess 16 will look better… maybe I’ll change that):

As some people with some a good attention span might have noticed, the watermark now shows “www.mundofractal.com”. I could grab this domain name and now you can use both the .net or the .com extensions. Hopefully Google won’t get pissed at me for redirecting a domain to this URL.

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